March 19th
Just a few days ago
we were floating in a hot spring, rusty, opaque, iron-rich, tasting
of blood, flowing from deep in the earth. I felt buoyant, safe. I
carried Ash, the baby in the womb between us. We, its parents, curled
around it, felt we were in turn held in a kind of womb, the warm
water sanguine and close, an echo of when we were yet to be born. In
this place where my ancestors were born and were parents and died.
For humanity to
exist there has been our unbroken chain of life, the blending of sex,
sperm and egg, the child growing in the living mother. In our culture
we think of each person as separate and distinct, but there is this
unbreakable link between us and the life we grew from, what created
us, and the future, the life we create. Jeffers’ ever-returning
waves of grass, equaling the life of a mountain. One conscious note
in the sweep of the perdurable. What John Berger calls the dead, not
absent but surrounding everything we do, our most basic context.
So
on that small wild island,
outcrop of volcanic rock thrusting out of the Atlantic, I felt both
foreign and native. The land I have grown from, that made me, by
food, air, scent and sight, is the California coast, and in my blood,
my genes, this wave of life through time that is my ancestry, is this
volcanic soil, this ocean wind, these island forests thick with bird
song. The blood of beef cattle, the thick pasture grass.
Over
and over the wild diving cliffs and crashing breakers reminded me of
Big Sur, and so I started to see the connection as more than
accidental. With this place in my blood maybe I was ready to love Big
Sur and also made ready to hear Jeffers’ words. Then I was equally
ready to read and write for the Dark Mountain Project, that takes its
name from Jeffers’ poem, thinks with his inhumanist perspective.
Ash
and I married, and at the center of the ceremony was that ethos of
integrating us two into one, into our humanity in the fabric of land
and place. Then we conceived a child, further integrating, placing us
in the wave of humanity through time.
And
then we heard of a class through Dark Mountain, on the other side of
the world, and we both thought, It’s time.
And if we were to attend this class, in Europe, then it only made
sense to visit our ancestral homelands.
Nothing
overly mystical, no unseen forces acting, merely life feeling itself
moving in its circles, returning to its origins. Feeling again the
safety and buoyancy of the womb, even
while growing a new life. Tasting the basalt, the iron, the sulfur,
the salt spray, the fermenting humid grass. My conscious mind not
very much involved, as though the life in me had made the plan
itself.
Now
we have come to England, and this place is in my blood too, though
not so recently. Like a more distant memory, more vague. To compound
this feeling, we are moving through the surreal spaces of aircraft,
terminals, hotels, expressways. As if moving as far and as fast as we
have were not enough, these spaces seem designed to displace. Or
perhaps they merely reflect what is inherent in them, this unrooted
passage of multitudes, shuffling from chair to chair, catapulted
ahead by the flame-out of fossil fuel.
To
look at us now you’d think we grew from this black muck, that makes
all we have from clothes to walls to vehicles and their energy to
fertilizer for crops. This toxic ooze from deep in the earth that
nevertheless has a rich irresistible flame.
We
ride south on the bus, through the Midlands. Not much different in
this careening passage from California’s great valley in winter:
bare oaks, green pasture, wide band of highway full of cars, close
gray clouds. Swallow-tailed hawks, high tension lines bowing over the
trees, the bare trees full of crows and mistletoe. A blue heron
flapping away. Damaged landscapes, digging machines, great mounds of
earth or crumpled metal, great edifices of industry. Also like the
Azores, the hills parceled out by stone walls and hedgerows, spaces
for human use.
We
have not truly landed; we are in another country but we are not here
yet. It requires walking the land, drinking the water. We are still
in that womb-like pool, floating, looking up to see the native hawks
wheel, their white underwings, the birds for which those islands were
named.
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